{"id":14756,"date":"2018-09-18T07:47:37","date_gmt":"2018-09-18T05:47:37","guid":{"rendered":"http:\/\/www.leblogdescoutheillas.com\/?p=14756"},"modified":"2018-09-17T17:02:01","modified_gmt":"2018-09-17T15:02:01","slug":"mademoiselle-de-joncquieres-critique-aisee-132","status":"publish","type":"post","link":"https:\/\/www.leblogdescoutheillas.com\/?p=14756","title":{"rendered":"Mademoiselle de Joncqui\u00e8res &#8211; Critique ais\u00e9e n\u00b0132"},"content":{"rendered":"<p><span style=\"color: #0000ff;\"><em>Critique ais\u00e9e n\u00b0 132<\/em><\/span><\/p>\n<p><strong>Mademoiselle de Joncqui\u00e8res<\/strong><br \/>\nEmmanuel Mouret \u00a0&#8211;\u00a0 2018<br \/>\n<em>C\u00e9cile de France, Edouard Baer.<\/em><br \/>\n<em>\u00a0<\/em><br \/>\nDe tr\u00e8s jolies images de salons dor\u00e9s, de beaux ch\u00e2teaux, de grands parcs, une belle marquise-vos-beaux-yeux-d&rsquo;amour-mourir-me-font, un marquis charmant et libertin&#8230;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14758\" src=\"http:\/\/www.leblogdescoutheillas.com\/wp-content\/uploads\/2018\/09\/download-1.jpg\" alt=\"\" width=\"318\" height=\"159\" srcset=\"https:\/\/www.leblogdescoutheillas.com\/wp-content\/uploads\/2018\/09\/download-1.jpg 318w, https:\/\/www.leblogdescoutheillas.com\/wp-content\/uploads\/2018\/09\/download-1-300x150.jpg 300w\" sizes=\"auto, (max-width: 318px) 100vw, 318px\" \/>Deux acteurs p\u00e9n\u00e9tr\u00e9s de leur r\u00f4le, C\u00e9cile de France, la femme de quarante ans, son sourire, son regard moqueur, Edouard Baer, le dandy d&rsquo;aujourd&rsquo;hui, le libertin du 18<sup>\u00e8me<\/sup> (si\u00e8cle), son l\u00e9ger embonpoint, sa chaleur humaine, sa voix (quelle voix !)&#8230;<\/p>\n<p>Un sc\u00e9nario bas\u00e9 sur Diderot, d&rsquo;\u00e9l\u00e9gants dialogues sur l&rsquo;amour, dits parfaitement et diff\u00e9remment par le marquis et la marquise, une vengeance de femme, un retournement d&rsquo;homme&#8230;<\/p>\n<p>Une r\u00e9alisation tr\u00e8s sobre faite pour souligner le beau langage de ce si\u00e8cle&#8230;<\/p>\n<p>Malgr\u00e9 quelques longueurs dans le dernier tiers du film, malgr\u00e9 des situations quelque peu r\u00e9p\u00e9titives dans l&rsquo;\u00e9laboration de la vengeance de la Marquise, tout cela fait un film agr\u00e9able \u00e0 regarder.<\/p>\n<p>Mais cette histoire, tir\u00e9e de Jacques le Fataliste de Diderot, d&rsquo;une vengeance un peu laborieuse pour un crime pas si grave que \u00e7a finalement ne fera pas oublier <em>Les Liaisons Dangereuses<\/em> de Choderlos de Laclos, vengeance autrement plus machiav\u00e9lique, dont Stephen Frears avait tir\u00e9 un film autrement plus fort.<\/p>\n<p>Mais finalement, ma critique s&rsquo;adresse plus \u00e0 Diderot\u00a0 qu&rsquo;\u00e0 Mouret. A voir quand m\u00eame, pour de France et Baer, et pour Mouret, le discret metteur en sc\u00e8ne.<\/p>\n<p><strong><span style=\"color: #ff0000;\">ET DEMAIN, UN COLLAGE TOUT SIMPLEMENT<\/span><\/strong><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Critique ais\u00e9e n\u00b0 132 Mademoiselle de Joncqui\u00e8res Emmanuel Mouret \u00a0&#8211;\u00a0 2018 C\u00e9cile de France, Edouard Baer. \u00a0 De tr\u00e8s jolies images de salons dor\u00e9s, de beaux ch\u00e2teaux, de grands parcs, une belle marquise-vos-beaux-yeux-d&rsquo;amour-mourir-me-font, un marquis charmant et libertin&#8230; Deux acteurs p\u00e9n\u00e9tr\u00e9s de leur r\u00f4le, C\u00e9cile de France, la femme de quarante ans, son sourire, son &hellip; <a href=\"https:\/\/www.leblogdescoutheillas.com\/?p=14756\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Mademoiselle de Joncqui\u00e8res &#8211; Critique ais\u00e9e n\u00b0132<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mo_disable_npp":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[94],"tags":[98,21],"class_list":["post-14756","post","type-post","status-publish","format-standard","hentry","category-critiques","tag-cinema","tag-philippe"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=\/wp\/v2\/posts\/14756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14756"}],"version-history":[{"count":0,"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=\/wp\/v2\/posts\/14756\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.leblogdescoutheillas.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}